I did do my practice yesterday, and got a little farther into exercising my voice. I seem to do it best when my wife is around. She came home from an evening shift at work, and started practicing guitar, which gave me space to practice voice. I could hear her strumming in the other room and it felt safe to focus on what I was doing. Then she left to walk the dog and I noticed it was harder to concentrate. I’m learning a lot about this.
I just watched a video about overcoming bias against people with mental health problems. I started bawling when I saw a pair of people wearing shirts. One was a guy with a shirt that said “post traumatic stress disorder”. The woman next to him had a shirt that said “battle buddy” . What a great thing to do – makes me want to have some kind of walk where everyone is wearing a shirt saying “incest survivor” “childhood sexual assault survivor” “better half” “battle buddy” “support spouse” etc… Here’s the video: http://www.bringchange2mind.org/
My grade 6 teacher was at a presentation I gave last week. I recognized a woman in the audience, but didn’t know who she was till I saw the sign-in sheet. I emailed her and she emailed me back, with a lovely description of what I’d been like as a 12 year old girl. She said she was glad I’d weathered the adolescence and early adulthood well, and I replied back that I’d had more to weather than most. I said she may have heard, since a few of my teachers were interviewed by the police, that I’d been rather seriously abused by my father. I said “I’m telling you this not to make a big deal of it, but I make a point of being open, as I think it helps prevent the silence in which child predators hide, and if that helps some kids, it’s worth any awkwardness.” and then I gave a few more chatty details about my life and ended thanking her for some things she’d said.
I hope that was okay. No real impact on my life if it makes her feel awkward, she’ll just not reply. I’m seeing my younger brother for dinner tonight. He’s the one I have the least gunk with, so it should be nice.
[Trigger warning to my ritual abuse survivor allies: If mentions of mainstream, benign Pagan/Wiccan spiritual practice are triggers for you, please go read something else now. ]
I went to a public Hallows ceremony a few days ago, organized by some folks I don’t see any more, as one or two are unpleasant to say the least. An ex-roommate we had to kick out for raging at me was there, but I managed to avoid her successfully. I did see several nice people I actually missed though, and connected with some gals that might want to have a women’s circle, so that was good. It was nice to have my wife there.
Oh, the main thing about all that was, Hallows is a time when Wiccans think about our ancestors and make a ceremony of visiting them on the isle of the dead in trance to speak with them. We also remember and recognize both loved ones who have died in the previous year and bless the babies born in the past year. It’s our new year. Blessing children at hallows/Samhain is where the practice of giving candy to children came from. It’s a way of blessing the new year through blessing the young ones. There was quite a long trance my grandmother was there when I got to the island. She led me to my other grandparents. I spent some time crying, telling them off, and then made them all promise they’d keep my father completely away from me after he dies, since they owe me for that. And then I asked for their blessings, which they each gave me. They got why I was mad and didn’t take offence. Dead people are much more sensible about these things.
I was able to practice voice for longer last time, and it felt good. It’s amazing how alive I feel when I’m singing well. I still haven’t done the full routine, but I’m getting there. I had a long day today, and feel edgy and distracted. The last thing I want to do is put focussed energy into anything, or is it to be fully present? Anyhow, I haven’t done my voice practice yet today, but I will.
I just finished doing my voice workout. I didn’t do all the warmup stretches and really felt the increased tension in my neck and shoulders impacting my voice. I was sitting with my back to the door, and the door open and felt (still feel) a creepy sense that something low and black is slinking up behind me to grab my neck. Lovely being a trauma survivor isn’t it? 35 years later, when I try to focus completely on something I love, I get distracted by phantom abusers sneaking up on me. I hope that rat bastard’s cancer is really hurting him today.
I have my period, which is always a trigger time for me, perhaps because of the blood and cramping, so that probably explains the ‘monstery’ – afraid and wary and haunted by phantoms – feeling I have. I’ve been curled up with my dog and the tv all evening, wanting some time to myself to curl up. I’m proud I did the practising despite feeling like a wounded bear, avoiding everything and everyone and eating a lot of something — fruit? I still feel monstery, which usually means I’m angry. Ya think? I’ve been working on getting my sexuality back, which seems to be working, but bleeding this month is suddenly having a whole new resonance – reminding me viscerally of how I bled when I got those scars. I think that’s where the trigger is coming from.
(Trigger warning to my ritual abuse survivor allies – the following has description of positive pagan ceremony. )
Last night I got together with a friend of mine who shares my religious beliefs. We got to talking about how neither of us are completing our creative projects to our satisfaction. As we talked, we both realized that it’s at least partly about being seen in our authentic selves. Me, to be seen in my gritty survivor art that I am drawn to now, and her in her art at all. We decided to do a symbolic action in sacred space to magically invoke the ability to be seen. The Goddess we chose to bless us was Aphrodite. Aphrodite is the only Goddess I know of who has no myths about having been raped. She is often depicted naked and makes independent sexual choices about her lovers and seems to have no negative consequences for that independence. I think that a person who is able to be safely naked/vulnerable/visible without need for armour and violence is much more powerful than someone who cannot. So that was the aspect or spirit we wanted to bring in, the courage and strength to be visible in our true selves.
We decided we would cast a circle, call the sacred elements and Aphrodite to be present and then for 40 minutes my friend would write a story, and I would try and complete an arrangement of a choral piece that has been unfinished for over a year.
Something magical happened.
My music notation software malfunctioned and I couldn’t edit my work. Every time I clicked on the score to edit it, it would play my piece for me, in its full imperfection and incompletion. For 40 minutes I read the manual and struggled with it, and got absolutely nowhere. Parts of it were perfect already, playing similarly to how I hear the three part piece in my head, and parts of it were incomplete and didn’t sound right, and I could do nothing to change it. By the end I was ready to cry and wracking my brains for what it all meant.
My belief system is that anything that happens in sacred space is meaningful, and is likely a message from the Gods/Goddess. My friend didn’t seem to get it, and gave me a ‘better luck next time’ kind of encouragement, but what I really wanted to know was why this freak computer bug had emerged in sacred space when I’d invoked assistance on my creative work.
When my wife came home, she understood immediately. Bless her! (things are going a lot better with her, by the way.) In talking it over with her I figured out why the Goddess was playing to me my same old song, unchanged, over and over. It was a song I’d written almost 20 years ago, one I’ve gotten a lot of recognition over, and could easily find a choir to sing for me if I had sheet music to give them. I’ve only heard it sung properly once by three voices and it made me cry. The topic is about finding strength from a relationship with a tree and the earth, but isn’t overtly about the abuse.
It’s an old song. It’s not me as I am, naked. It’s me as I was 20 years ago. No wonder the Goddess of healthy empowered nakedness rejected my work on it as an offering in sacred space.
I have decided to make another offering.
I am promising to myself and Aphrodite that I will practice voice daily. Each day. Every day. Using a CD I have with some vocal exercises, the ones that fill me with a feeling of joy and mastery in my voice. For a year. Voice practice needs to be done frequently and for short duration, as the muscles involved are small and damage easily. By practising a tiny amount daily, I will do more good than practicing once a week for hours. By practising regularly I will build a much stronger voice, that I can depend on.
I need to prove to myself that I can persevere with something I’m passionate about. So mote it be. (That’s a think pagans say at the end of a spell or intention, which means roughly, ‘it is so/it must be so’.
I told my therapist about this today and she’s going to help me stay on track, despite my resistance. I’m also telling you, and I’m going to report in on my blog when I’ve done it each day.
I’ve lost 28 pounds since January. I’m proud of that. I’m eating more healthily, taking my vitamins and getting regular light exercise, just brisk walking but it’s good and my wife walks with me so we’re working on it together.
Have you ever wondered
how a child survives a horror?
Do you think children are resilient
or children they forget?
Hiding from yourself, is necessary for survival
Nice girls don’t make a fuss
Nice girls they pretend
they’re safe and loved
30 years or more they’ve been there
evidence of my destruction
proof somebody should have seen
when I was six years old.
30 years or more he’s been
protected by your disbelieving
by his respectability
people willing to be blind
I’ve got the scars to prove it
because a father owns his daughter
got the scars to prove it
because no-one interfered
I’ve got the scars to prove it, 30 years or more they waited
scars of horror, just where you’d think they’d be.
I’d never looked, never asked
no doctor ever mentioned
perhaps they thought I’d given birth
and never been sewn up
Until one day I asked her, and she showed me with a mirror
“this is very old” she said, healed without a doctors care.
They were the scars to prove it, a nightmare seen in daytime
The scars that showed that I’d been making nothing up
Scars seen in the mirror, instead of in my soul
For the first time I could see the story of that little girl.
Scars to prove it. A nightmare really happened.
Scars to prove it, spotted far too late.
Scars to prove it, because nobody would interfere
Scars of horror, just where you think they’d be.
I went and looked up the name of a lawyer I want to talk to about pressuring my dad into confessing. I want to have a confession or something like that before he dies so I can do the activism I want to do without having to use the word ‘alleged’. With the evidence of the scar tissue, and a good lawyer, I wonder if I could get him to sign a confession in exchange for me not suing him into bankrupcy or reopening the criminal case. Like the clinic for the pap test. I’ve printed up the contact information, which has been sitting on my desk for several days, waiting for me to decide when and whether to move forward. Talking to a lawyer doesn’t mean I’ll go through with it, and I’ve already decided it definitely doesn’t mean I’ll talk to my father about it. That’s what lawyers are for.
Things are always in tension for me between making meaning of my life, fighting injustice and expressing my creativity in the world. The first five years or so of healing, that was my main focus in life. Everything revolved around healing and reclaiming myself and my body. Life was simple. Now, 21 years after I began, it becomes a choice.
I am proud of what I did in finding proof and having a vaginal examination on my own terms. I am also proud that I’ve been meditating and going outside and enjoying the sunshine at least once a day, for the most part. The other things I wanted to incorporate into my daily routine aren’t getting done as regularly, if at all. My therapist says it takes awhile to make changes into habits, even positive or enjoyable ones, and I’m finding that to be true.
I’ve practiced singing one more time since the time when I felt the joy, and it wasn’t as good. I’ve been avoiding it since. I love singing, but I’ve thrown up a block for myself. I do this all the time. Sometimes I think it is a part of the anxiety that is a part of being a survivor, that I close off my channel to passion once it starts to flow.
I brought my guitar to my wife’s family reunion recently and did a bit of campfire singing, which counts as practicing my guitar. I’m learning to play the bodhran, which is a tradional Celtic drum. I seem to practice it more than anything else, perhaps because it blows off some energy.
I think what it is is that, fundamentally, I’m lonely. I’ve got all this powerful stuff going on and rarely see anyone but my wife (I work from home) and certainly speak to few people who I think will get it. I’ll try this weekend to make contact with some friends, which might give me some momentum.
I didn’t know how I was going to end this post until I went searching for a photo to put with it. In my religious tradition, having one foot in the water and one on land means to pay attention to both the realm of feelings and the soul and practical life. To be balanced in this way is to be in Grace. I went looking for some bare feet walking, then realized I meant bare feet on the beach and then saw this one. That’s what I’m doing, trying to walk with one foot on water and one on the earth. Sometimes I sway more into one world than the other, but I’m best when I can walk in both.
I have two items on the subject of being a warrior that I want to share – here is the first:
The lyrics to “Warrior” by the Wyrd Sisters. When looking for a recording or video of this song, I found out that this Canadian band from Winnipeg, who has been one of my favourites for years, is being sued by Warner Brothers, who want to steal their name. WB is legally in the wrong, but has way more money and wants to market a band of their own with all kinds of spin off products (based on the one in Harry Potter with a different name) with the same name. The Wyrd Sisters named their band for a Celtic trinity of Goddesses, and have have written some beautiful songs on important issues including child abuse. Shame on Warner Brothers!
WB is probably going to bankrupt these nice socially progressive folk musicians, who have done so much to support the spirits of those of us concerned with social justice. I’m so mad I could just spit!
I love the Harry Potter books, and respect JK Rowling, but honestly the movies are just a weak knockoff of the kind, good and inspiring features of the books. The band in the book (Harry Potter and the Goblet of Fire) was named the “Weird Sisters”, probably a pun/nod to the same Celtic Goddesses.
WB should ask themselves WWDD (“What Would Dumbledore Do?”) and negotiate something fair with the Wyrd Sisters instead of crushing them. They could name their movie band “The Wierd Sisters” like in the book instead of the Wyrd Sisters their marketing folks like better, compensate the real Wyrd Sisters for using their name, and mention in the credits that the real Wyrd Sisters are in Winnipeg Canada and have generously allowed the similar name to be used. This lawsuit shows that WB have no respect for the values the Harry Potter books illustrate. I encourage people to Boycott / Girlcott / Pagancott / Survivorcott Warner Brothers Harry Potter paraphenalia unless they do the right thing. If you want to see the movie, wait till your local library gets the DVD.
I was a shy and lonely girl
with the heavens in my eyes
and as I walked along the lane
I heard the echoes of her cries
I cannot fight
I cannot a warrior be
it’s not my nature nor my teaching
it is the womanhood in me
I was a lost and angry youth
there were no tears in my eyes
I saw no justice in my world
only the echoes of her cries
I cannot fight
I cannot a warrior be
it’s not my nature nor my teaching
it is the womanhood in me
I am an older woman now
and I will heed my own cries
and I will a fierce warrior be
’til not another woman dies
I can and will fight
I can and will a warrior be
it is my nature and my duty
it is the womanhood in me
I can and will fight
I can and will a warrior be
it is my nature and my duty
it is the sisterhood in me
Apparently, the back story for the song is that the Wyrd Sisters member who wrote it worked in her youth in a mental hospital, and saw first hand how at least one girl who had disclosed child sexual assault was treated in the hospital. The abuse was severe and documented but the administration treated her like she was dirty, a liar and the source of shame to her family rather than her father/abuser, and the songwriter felt helpless to help her at the time.
This weekend I attended a Pagan conference and met some interesting and helpful people.
Have you ever had a period in your life where you appear to be in Grace? Where challenges emerge and are defeated easily? Where it seems simple to be calm and powerful? The voices of the divine and your own truth seem strong and clear? I seem to be in one. My music is going fabulously, I’m attracting all kinds of resources I’ve needed, and most importantly, other people’s gunk seems to be sliding off my back like I’m coated in Teflon(R).
Pagan gatherings are a quite a bit in feel like science fiction conventions – a variety of flavours of modern neo-paganism are represented. One thing I realized, that unlike the women-specific spiritual events I’ve attended, which are generally attended and organized by smart, highly competent, healthy and empowered women, the mixed Pagan ones attract a nerdier, more fringe crowd. This is not to say that most of the people I met weren’t remarkable and nice, but that I noticed a distinct difference in general social functioning, on the whole, with several people who didn’t seem to be doing well at all. Seeing how it was a Canada wide conference, I attended to see what was going on and do a bit of networking.
Amazon warrior that I am, I got into several heated intellectual discussions (which I enjoy, for the most part) and at least one controversy.
There’s a split in modern Paganism, or perhaps only in the sub-category of Wicca or Witchcraft, between the folks that are into a fertility based practice and those whose practice is ecstatic. Fertility practice of Wicca (also known as traditional or Gardnerian Wicca) is essentially a religion that gives relatively equal prominence to both Goddesses and Gods (with Goddesses being slightly more central), celebrates heterosexuality as a manifestation of the creative power of the Gods, and is based in the tradition started 50 or so years ago by Gerald Gardiner. The most central imagery, rituals and practices are often concerned with celebrating heterosexual sexual expression. This is NOT to say they’re having orgies all over the place, it’s just that the erotic attraction between men and women occupies a similar symbolic place in traditional paganism that for example the imagery of torture and murder via crucifiction occupies in Christianity. Christianity isn’t all about or even mainly about torture and death, but the imagery of crucifiction, which was a historical method of torture/execution, is a big part of their imagery and festivals such as Easter. What’s interesting to me is that unlike the traditions I practice, the women-oriented facets of fertility, particularly virginity, pregnancy and birthing, don’t get nearly the amount of emphasis in these ‘fertility’ traditions as the sexuality itself. Gods are seen primarily as lovers or fathers and the Goddess as lover or mother. Sister and brother Gods or virgin Goddesses do not carry much importance and do not appear to be emphasized. In some of the traditions I have experience with the Gods as brothers and sisters are just as important and provide important models of respect and cooperation between the sexes.
By contrast my own practice is in the ecstatic and social justice traditions (some examples are Reclaiming, Dianic, Goddess Sprituality and Feri traditions) which are not nearly as focussed on heterosexualily and more on relationship with the Gods and taking positive action in the world. Understandably as a gay woman, heterosexual sex, while as sacred as any other, is not of interest to me, so my expression is more about individual growth, recovering and celebrating my own body, intuition, honouring the Earth in action (environmentalism) as well as observance, and creating and discovering rituals and connections with the Divine Feminine that reinforce me and other women in being powerful, effective and strong. It is based in both Feminism, Goddess Sprituality and Wicca, with a social justice component from a tradition called Reclaiming.
The controversy began when a non-pagan film-maker presented her film about witches and invited discussion and feedback afterward. The only voices represented in the film were from fertility traditions, some of whom represented that in contrast to male centred religions, Wicca was about the balance between God and Goddess. Since the film maker was looking for feedback, I pointed out that my style, which is primarily about the Goddess, had not been represented. At this point, some reps of the other style – all older males, told me in paternal tones that while I was certainly Pagan, I was not a Wiccan because I didn’t give equal importance to male Gods worshipped via the imagery of straight sex as they do. I was, of course, offended, but couldn’t help but remember a conversation years ago with someone from an Evangelical Protestant sect who told me straight faced that Catholics weren’t Christians. Seeing how Catholics invented Christianity (or are at least the earliest surviving version I know of) this is patently ridiculous, so I had the perspective that all religions seem to do this infighting thing over stupid differences in practice. Similarly, I’m pretty certain that if they start up the bonfires to begin burning witches again, assertive female activist feminist witches will be the first they want to throw on the pyre. Our enemies know we’re all witches, so these boys need to just get over it.
I defended my point pretty well I thought, and even though I could have felt ganged up on (those in the room who I later found shared my beliefs kept their mouths shut), I didn’t really. I mostly just saw their rigidity and dogmatism as coming from their own insecurities, as older men holding onto what privilege they’d scrounged together in a religion that is, at least officially, led by women (The high priestess is technically the leader of each worship group, although a high priest may also serve). Most religions do this kind of infighting. It’s too bad, but really nothing personal.
Standing up to the patriarchy and heterosexism, and being a misunderstood minority in a room full of peers, really ought to have worn me out, but didn’t particularly, do my great surprise. I’m truly grateful. Perhaps this preparing to dance at or on my fathers grave is changing how I see sexism and oppressive men. It’s like exercising over a period of time for awhile, and then suddenly realizing you can run up a flight of stairs without getting out of breath. Mostly, thoughout the weekend I felt confidence, happiness, acceptance and warmth for and from the people there.
On the helpful people end of things, I made contact with a pagan social activist from my home town, who I asked for information on who I could connect with up there about my sword dance ritual. He said he and his wife (who is also pagan) would help, and gave me the name of a woman’s shelter contact who he thought I should make contact with as well. It feels like a Goddess-given connection.
It’s very interesting to me that men seem to be among my important allies in this sword dance ritual – from my friends who helped me search for a sword, to this man. Brother allies are a good thing. It looks like the person I’ll be taking sword dance classes from will be a man too – the women teachers I approached weren’t interested in teaching adult women.
I’ve been getting weekly massages and had one today. It’s amazing how nice and unusual being more relaxed than usual is.
Last night I made some good progress on writing a song to go with Oniongirl’s words (with her permission) and I’m really happy with it. I’ve got to get the guitar part a bit more nailed down, and I’d like to have multiple voices on it, but the bones are there. Yay.
I’m going to be rehearsing with my friend the guitarist tonight. My voice isn’t quite recovered from the cold, but I should be able to manage. I was worried I was losing creative momentum but it seems to have bounced back.
Yesterday night my wife did a really nice thing. She got out her guitar (we took beginners guitar lessons together last year) and together we played an easy song or two. Then she faded into the kitchen to cook something and left me at it. Once I had my guitar out and tuned, it was so much easier to keep going and I ended up having a good time working on my song, organizing repertoire and rehearsing and not watching tv for once.
She’s the kind of person that when she’s sick I can’t say “you should take some vitamin c, or an aspirin or whatever”, she won’t do it, but if I put it in her hand and hand her a glass of water she’ll swallow it down. That’s kind of what she did for me last night. I guess living together for 8 years teaches a person something about how another person works.
We’re getting along better, still sniping from time to time, but more affection and kindness too. Last night we cooked dinner together, chopping veggies and stirring and singing along to nice folk music. Last night she stroked my hair while she read a book in bed, which has come to be a kind of nice bedtime routine.
All in all, things are good. The sun is shining, I bought tomato and squash plants for my garden, and all is well with the world.
I made music last night with a guitarist I’m now working with. We worked on some covers and one original song from each of us.
I brought my most successful song, a song with no survivor content, about euphemisms for the word vagina/vulva. I’ve performed it many times, and gotten a lot of approval for it, so it’s ‘safe’.
I don’t really have any others that I like that aren’t about being a survivor. One of the hardest things for me about being an artist/songwriter/writer (not by any stretch my whole identity or even my job), is that that topics that have my passion are the ones that are at least coloured by my experiences as a survivor.
I believe it’s important work, to say the things that need to be said about being a survivor, in ways that are passionate or beautiful enough to overcome people’s discomfort with the topic and help them understand. However, it’s not easy work, and it exposes me when I share it.
It’s a bit like being a vocalist.
When I was in music school (A college program, I dropped out after first year) I found every one of the other vocalists in the bathroom crying at least once. It’s because using the voice as an instrument is so personal. Playing another instrument can be emotional, but the voice is one’s body, and there’s no separation between the self and the music if you’re doing it right.
My throat is still sore and I’ve got a wicked ear ache, but I was able to sing a bit.
This guy I’m collaborating with is great. He’s a good guitarist and seems passionate about it. I like the songs he writes. He’s married, and I met him and his wife through some lesbian friends, one of whom is his ex. Since he’s still on good terms with her and has met my wife, I’m pretty confident that he’s fine about the lesbian thing, which is nice to have nailed down.
However, it’s a bit of a reach to sing the vagina song with him, let alone songs about being an incest survivor. Perhaps the ‘anyway‘ song that doesn’t mention it overtly. I really am going to have to learn to play the guitar.
It was harder than usual to find a picture to go with this post. What I found was incomplete somehow. I think that’s because I don’t understand what’s going on well enough to have a metaphor for it yet. Perhaps I’ll add another picture later when I do.
So now she dances a sword, atop his grave so fresh
and she dances victory, to seal his cruel ghost
So now she calls her fierce ancestors, to take his soul away
that never may he trouble her, in night or in the day, oh.
And now she dances a sword, atop his grave in victory
And she dances binding
to seal his cruel ghost.
And now she calls her fierce ancestors, to take the monster’s soul away
that he may trouble her no more, in night or in the day
And may they trouble us no more
the men who try to rape/take our souls
and may we outlive them all!
and dance upon their graves!
[Note about men as abusers – The following are all true: most sexual abusers are men, women abuse children sexually too, boys get abused too, I have many men I love and who are my allies. I refer to abusers as men in my writing because that is my reality. Your mileage may vary, and that’s fine. If you’re against child sexual abuse, that’s all we need to be allies.]
As part of my ongoing quest to stop Hiding I’m starting gradually to getting back into both doing things I’m passionate about and letting others witness me doing them. Tonight, I’ll be meeting to jam for the first time with a friend of a friend who plays the guitar. We’ve been discussing material and will be putting together some jazz and folk numbers, perhaps to perform. This is probably a good thing to do this week, continue to unfurl the sprout and reach for the sun rather than focus on worrying about how my mother will react.
I realized why I have the fear my mother will kill herself ‘accidentally’ in a car accident driving while sleep deprived (she works two full time jobs) in reaction to my letter. It’s happened before.
A few years ago I decided to send altered father’s day cards to my abuser, reminding him of how his actions had affected me. I’d read this thing that talked about how under partriarchy the consequences of actions all flow downhill – boss yells at worker, worker yells at wife, wife yells at older kid, older kid hits younger kid, younger kid teases dog. I decided to make the ball roll up hill. I bought and doctored up a couple of these fathers day cards and sent them off in intervals. I forget if I sent one or more than one, I know I intended to send them every few months. I have a few left somewhere. It helped me deal with all the mushy mushy we love our dads stuff around father’s day, by formally acknowledging my remembrance of daddy is quite different.
Anyhow, later that year, on my birthday no less, I get a call telling me that dear old dad had drunk himself into a .4 blood alcohol reading (in the range that causes death) and driven his car into the wall. The two family dogs were with him and one died. The other was found unharmed. My abuser was in intensive care with a flail lung. (50% mortality rate) Coincidence he did this on my birthday a few months after his wife left him and I started sending him regular reminders? I think not. He almost died before some idiot doctor dropped by, spotted the flail lung and put him in intensive care, saving his life. In ICU, he was diagnosed with liver cancer and contracted a flesh eating disease (that almost killed him as well. Then he had to quit drinking, a virtual impossibility, and find a liver donor (also hard for an old drunk) to get a transplant. All of this news was spread out over the next several months. I was a wreck, getting news every couple of weeks or so that he was on his deathbed. My wife wouldn’t let me go visit him – she thought I might be tempted to kill him. I wouldn’t have done it, although I might have yelled at him a bit hoping it gave him a heart attack or something. I went to the cancer centre for these relaxation groups for family members. Blessedly, they didn’t make you say anything so I didn’t have to say I wasn’t actually hoping he’d survive. Then my mother, who had left the bastard a few months prior, moves back in with him to nurse him through his transplant and I was afraid she was going back permanently. She didn’t and recruited my abusers’ sisters to take second shift. She noted that they went as a pair, so neither would be alone with him. The family really pulled together to save his life, which felt like a slap in the face.
What seems like divine intervention to me (Goddess only knows why) is the following:
Death rate from .4 blood alcohol – unknown but high
Death from serious car accident – unknown but high
Death from flail lung = 50% mortality
Death rate for Liver cancer over 5 years =94% mortality rate
Why are the Gods keeping this guy alive these past 5 or so years against all these odds? To give him more time to suffer (I approve) , give him more time to get to remorse (he’ll live forever…) or to give me time to prepare? I’ve been banking on at least the last one.
You can see now why I’m expecting him to die any time now. Particularly as he’s had a recurrence last summer and still smokes and drinks.
So anyways, tonight I’m going to sing. I’ve lost almost 20 lbs of camoflage so far and I’ve mailed a brave letter to my mother. One day soon I’m going to set up a sword dance lesson with the teacher I researched.
I can do this.
This is a song I wrote several years ago:
When the world is full of pain, and there’s no way you can stop it.
The truth’s a bitter shame, and the holy has been stolen.
When there’s no safe place to go and there is no-one safe to love
And you have to hide your face to survive.
Remember, there’s no reason to go on, but you must.
The world makes no damn sense but you go and live there anyway
When you remember, there’s no reason, maybe no hope and no reward, go on living, loving, hoping anyway.
I thought my courage to survive was all I’d ever need,
but the world I re-emerged to I could no longer believe.
When you’ve seen the very worst there is the greatest feat of all is to
Remember, there’s no reason to go on, but you do. The world makes no damn sense, but you go and live there anyway.
When you remember there’s no reason, maybe no hope and no reward,
but go on living, loving, hoping anyway.
(Copyrighted material (C) 1991 All rights reserved. You can quote it but always credit the source.)